My collaboration with my artist friend Tony Thorne, that culminated in Last Days of the Mill (a finalist in the 2013 Tasmanian Book Prize), left me with profound ethical misgivings on one particular score. In this 2017 paper, I face that demon down. Continue reading “When a Poet Rips Himself to Shreds”
Published in ‘Silently On The Tide’ (2005)
…could feel the weakness of… big/local govt… what sort of culture…
will not be available… best sort of market we can… people have a global…
This is an age of data and dead hills.
This is a time of envenomed meal for the mouth.
. In the newsroom they are all a-lather: Continue reading “White Words”